BIOGRAPHY
Atlanta, Georgia [2009-present]
In a birthing room at St Johns Hospital in Detroit, Michigan a embodiment of uncanniness, flare and innovation was born, and then he was given the name Tabias Stallworth.
Growing up listening to Jazz most of his young life music planted its seed early.
I was definitely a weird child coming from sPadey.
His father whom like most teens in the 80s era started a band with his brother. This may have been just the spark that somehow genetically passed through to sPadey.
However, his mother also was an aspiring singer. Coming from an obvious musical family it was a given that sPadey adhered to this gift.
It was around the age 5 that I got my first keyboard. It was actually more like a toddlers toy but there was ONE instrument on there “Bells” that I loved! Everyday at like 1:00 p.m (aka my demanded nap time) I’d lay in the bed and watch as the sun came from behind the clouds then hide again. The rays would slowly die down casting shadows on the walls. When it would do this I’d play these little notes that went perfect with the moment. . . weird huh?
sPadey attended to his keyboard eventually getting a larger “concertmate”. From there he experimented the world of sounds. . and also how to record his own playing.
It wasn’t until the new millennium hit that sPadey started diving head first into recording. Music was still “decent” at that point in time. sPadey spent time listening to the radio and viewing what others had to say (mainly in pop music)
“Pop music was at a all time high in like 2000 with Backstreet and Brittany Spears and such. I remember in 2000 we had a catalog come to our house where we could purchase CD’s. Yes, I bought the Backstreet Boys, Brittany Spears, and TLC album. I played all them out and jetted off with inspiration. However, I learned early on that I didn’t want to sound like anything else.
sPadey[/] used his environment to birth his musical image. He wrote books, screenplays to enhance what he couldn’t create.
Music isn’t notes, chords, rhythms and lyrics to sPadey. It is a spirit, an invisible person, a musically made soul that passes its way through you through speakers.
The world is filled with millions of spirits. Many spirits in which we weren’t powerful enough to create us not being God. However, with instruments, sounds we can be a creator, architect of souls in musical format
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